Sunday, 22 November 2015
Sunday, 15 November 2015
Beat poet, member of the San Francisco Renaissance, spiritual poet, political poet, eco poet - Gary Snyder fits all these categories and none.
As one of the six poets who read at the historic Six Gallery reading in San Francisco in 1955 which helped launch the Beat movement, he is often associated with the likes of Allen Ginsberg, Michael McClure and Philip Whalen, yet as Hoover notes in the anthology: “unlike many of the Beats, […] he rarely deals in urban subjects.” Instead Snyder’s writing is far more diverse as he is equally interested in the politics of ecology, performance, and non-western cultures.
Snyder has authored numerous volumes of poetry, including Axe Handles (1983), for which he received an American Book Award and Turtle Island (1974), which won the Pulitzer Prize for poetry.
He was the recipient of the 2012 Wallace Stevens Award for lifetime achievement by the Academy of American Poets. He is a professor of English at the University of California, Davis.
http://www.lrb.co.uk/v34/n10/iain-sinclair/the-man-in-the-clearing - London Review of Books feature including podcast
http://www.theguardian.com/books/2005/jul/16/featuresreviews.guardianreview19 - Guardian profile
My below poem took its inspiration from Snyder’s “As for Poets”.
~ - ~
The Space Poet has grown old and frail
on his wait for the Space Age.
His Space Hands are shaky and thin
in his giant, white Space Gloves.
He cannot even push the right Space Buttons
anymore to navigate the Space Ship on its course
or write about what he saw in Space
all that he saw in Space
from a distance
when it was too close
Wednesday, 11 November 2015
Born in Massena, New York, John Godfrey attended Princeton University. Often associated with the New York School, he has lived in the East Village of Manhattan since the 1960s.
Godfrey’s work was praised by Ron Padgett for its “lyrical and metaphysical” qualities as well as its “irresistible philosophical hauteur” and also Hoover mentions his particular use of “packed syntax and exuberant word choice” which creates a kind of surrealism.
Godfrey is the author of 14 collections of poetry. He has received fellowships from the General Electric Foundation (1984), the Foundation for Contemporary Arts (2009), and the Z Foundation (2013). He retired in 2011 after 17 years as a nurse clinician in HIV/AIDS.
https://vimeo.com/62674082 (video of a 2013 reading)
My below poem took its inspiration (and opening lines) from Godfrey's poem "Wings".
~ - ~
(after John Godfrey)
I know I come off a little bit wavy.
but you must realise the material world
is constantly crumpling before my eyes.
a pile of discarded drafts in a bin.
good luck trying to smooth out
those creases. they run across everything.
just like nothing escapes the inky
hands of the print-maker. all
bound up tightly, glued together
forever happily between the flimsy bent
cardboard covers of a cheap paperback:
romance and murder mystery,
always plenty of laughs and tragedy.
in one volume compiled. what an excellent
bargain! but turn the first page and you’ll see
everyone’s names are changed.
you e.g. are Grace and I am
Prudence, and every man you ever
met was called Jack.
which is just a metaphor or
maybe an innuendo that nobody
ever cares to look up. we read
while we write:
mixed source paper certificate --
fibres from certified forests can be
mixed with recycled material and
products from sources beyond our
Sunday, 8 November 2015
Harry Mathews grew up on Manhattan’s Upper East Side and was educated at Princeton and Harvard University. He spent many years in Paris where he not only met John Ashbery but also became the only American member of the French avant-garde literary society Oulipo (Ouvroir de literature potentielle).
Mathews has also been associated with the New York School of poets. He started the literary magazine Locus Solus – named after the surrealist novel by Raymond Rousel – in 1960 together with John Ashbery, Kenneth Koch, and James Schuyler.
Mathews’ writing is often inspired by language games and formal constraints – a fact which also makes him a favourite with the language poets. As the Poetry Foundation notes:
“Mathews’s poetry and prose often use overarching formal constraints to examine the relationship between sound and meaning or pattern and lyric.”
In addition to his poetry he has published several novels. His honors include a grant from the National Endowment for the Arts and an award for his fiction from the American Academy of Arts and Letters.
My below poem was inspired by Mathews’ Selected Declarations of Dependence which uses modifications of common proverbs to build new poetic texts.
~ - ~
Like something the cat brought
Like something the cat caught
Like something the chat sort
Like something the chat bought
Like something the VAT brought
Like something the VAT ought
Like something the rat sought
Like something the rat court
Like something the brat snort
Like something the brat sport
Like something the tat court
Like something the bat sport
Like something the bat fought
Like something the bat sort
Like something the bat bought
Like something the bat thwart
Like something the cat ought
Like something the cat thought
Like something the cat brought
Wednesday, 4 November 2015
Born in Chicago in 1952, Art Lange is the author of hundreds of essays, reviews, articles, and interviews on music and poetry. A music critic of international reputation, he was editor of DownBeat magazine from 1984-88.
His work has been published in publications as diverse as the Neue Zeitschrift für Musik and the Village Voice, New American Writing and the Partisan Review, and he has written programme notes for over 200 jazz and classical recordings. He also published and edited Brilliant Corners: a magazine of the arts, from 1975-77. He is the co-editor (with Nathaniel Mackey) of Moment's Notice: Jazz in Poetry and Prose (1993), and the author of four books of poetry.
Lange’s poetry is strongly influenced by William Carlos Williams, Louis Zukofsky, and Robert Creeley, as becomes apparent in his “musical use of the short poetic line” (Hoover). Hoover also sees a strong connection between his sparse phrasing and the jazz compositions of Thelonious Monk.
I was very taken by the poetry of Lange included in the anthology and thus extremely disappointed to find very little trace of his poetic work online. I can only suggest trying to track down copies of his poetry collections: Glee: Song (1977), The Monk Poems (1977), Evidence (1981), and Needles at Midnight (1986) – I most certainly will!
My below poem used Lange’s “Sonnet for the Season” as a starting point for a reflection about a different kind of “season”.
~ - ~
Requiem for a Season:
How To Get Away With Murder S1
There is a crack in this thing called trust where questions seep in until a pool of doubt has gathered. Dark and deep enough for someone to get all soaking wet. Better learn how to swim in it. Better hold your breath. Better keep paddling. Or hold on to someone or something that floats well. Unless of course, there’s a crack in this thing called trust where questions seep in until a pool of doubt has gathered. Dark and deep enough for someone to get all soaking wet.
Sunday, 1 November 2015
Maxine Chernoff is mostly known for her prose poems. A form which she compares to metaphysical poetry claiming it “may be a contemporary equivalent […] since in both cases metaphor can expand to become the central concept (conceit) of the writing.” The Poetry Foundation calls her innovative, decidedly post-modern poems “surreal, witty, and politically engaged.” A fact which won her the PIP Gertrude Stein Award for Innovative Poetry in 2006.
Chernoff has also written fiction, and her short story collection Signs of Devotion was a New York Times Notable Book in 1993. Her translations, with Paul Hoover, of the work of Friedrich Hölderlin won the PEN Center USA Translation Award.
Chernoff has authored more than a dozen collections of poetry. She is an editor of the journal New American Writing and a professor at San Francisco State University.
My below poem is inspired by Chernoff’s poem “Lost and Found” and uses the poems first sentence as a starting point for a reflection on the internet’s obsession with imagery.
~ - ~
I am looking for the photo that would make all the difference in my life. It is at a certain height, at a certain angle. It catches the light in a certain way. It makes the scene. It stands out. It is me virtually. It shows where I am and where I am coming from. It displays how far I have made it up until now. It reveals my potential. It projects my path. This photo is my past and my presence. It lives my dreams. It reflects my soul. This photo holds meaning. It tells a story. It captures some profound truth. This photo sends a message. It shows a completely different side. It expresses the way I feel about you. It reveals my deepest secrets. This photo is a connection. It makes you think. It wants to challenge. This photo captures every little detail. It hides those embarrassing spots and blemishes. It erases scars. It cleans pores. It draws your attention to the beauty of the world. This photo gives you hope. It makes you laugh. It reminds you of love and sympathy. This photo makes you think about me differently. It says what I never dared to say to you. It wins you over. It makes me cool.